![]() I argue that they are the fleeting ‘moments’ that give meaning to animated movement, enhancing the visual style of the animation – but due to the technical nature of cinema, are never actually seen by the viewer. I am interested in the representation of movement in these cartoons – the squashes and stretches, the ‘smears’ and ‘multiples’ – and how these techniques go unseen by the viewer in standard viewing practice. By considering these artistic engagements with chronophotography, I focus on animation techniques from the Golden Age of American animation. Chronophotography has inspired artists interested in the representation of movement throughout history. ![]() These images encouraged the viewer to expand their sight into a new mode of seeing. Nineteenth-century chronophotography captured what the eye cannot see due to the physical limitations of human perception. ![]() This creative research project addresses the question of how to reveal the construction of character animation in order to influence viewer engagement. ![]()
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